Film is arguably the dominant art form of the twentieth century. In this Very Short Introduction, Michael Wood offers a wealth of insight into the nature of film, considering its role and impact on society as well as its future in the digital age. As Wood notes, film is many things, but it has become above all a means of telling stories through images and sounds. The stories ar...(展开全部)

A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives Bad Film Histories is a vital work that unsettles the authority of the archive. Katherine Groo daringly takes readers to the margins of the film record, addressing the undertheorization of film history and offering...(展开全部)

Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes reader...(展开全部)

Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes reader...(展开全部)

"I keep wanting him here. I keep wanting him to stay." The beloved characters from Alice Oseman's webcomic and graphic novel Heartstopper, and her stunning debut novel Solitaire, face a new challenge in this gorgeous novella, beautifully illustrated by Alice! Nick and Charlie are about to say goodbye, as Nick leaves for university and Charlie is left behind. Is their love stron...(展开全部)

Timothy Corrigan is a lecturer at the University of Pennsylvania.

若泽·萨拉马戈（José Saramago，1922-2010） 葡萄牙作家。1947年出版首部小说《罪孽之地》，1995年获葡萄牙语文学最高奖项卡蒙斯文学奖。1998年，因其“充满想象、同情和讽喻的寓言故事，不断地使我们对虚幻的现实加深理解”，被授予诺贝尔文学奖。 萨拉马戈的作品风格独特，内涵深刻，作品主题大多关心的是人类的命运与世界的前途。写作手法上，他创立了一种充满想象、隐喻和讽刺的小说类型，赢得了无数读者的赞誉。 他一生创作了数十部小说和其他文学作品，已经被翻译成30多种语言，总销售超过350万册，主要作品包括《修道院纪事》《里卡尔多·雷耶斯离世那年》《所有的名字》《石筏》等。

Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marçal in a small village on the outskirts of The Center, an imposing complex of shops, apartment blocks, offices, and sensation zones. Marçal works there as a security guard, and Cipriano drives him to work each day before delivering his own humble pots and jugs. On one such visit, he is told not ...(展开全部)

Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marcal in a small village on the outskirts of The Center, an imposing complex of shops, apartments, and offices to which Cipriano delivers his pots and jugs every month. On one such trip, he is told not to make any more deliveries. Unwilling to give up his craft, Cipriano tries his hand at making c...(展开全部)

Cipriano Algor, an aging potter, lives with his daughter and her husband in the shadow of the Centre, a nebulous, constantly expanding conglomerate that provides his livelihood - until it decrees that it is no longer interested in his humble wares. Together with his daughter, they craft a new line of small ceramic figurines and, to their bafflement, the Centre orders cast quant...(展开全部)